But those acts are quite hip(ster).very conscious of a visual language and edging towards what some might describe as an art school aesthetic. Shabazz Palaces, THEE Satisfaction, Fresh Espresso, etc etc not that you can't be a kid from the CD and love these acts, as my friends and I do. And the culture there is really different from what you might encounter in the University District.Ī big portion of the acts popular in Seattle and supported by labels like Sub Pop speak in a language that really caters to the cultures outside the Central District. If you've ever bounced between schools or neighborhoods growing up, you'll notice the musical culture is really different between the upper-middle class gay/hipster/young adult neighborhood of Capitol Hill versus what you might typically find at a high school in the Central District. Of course, communities have spread around since then, but it's exactly why we have an International District ("China/Japan/Vietnam Town") and a Central District (ex-Jewish/currently gentrifying/"Black" part of town). There are specific enclaves of ethnic neighborhoods here, because up until the late 1960s racist laws preventing others from owning property outside of designated areas were on the books. Indie rock culture is the dominant status quo. Ours, despite its relative variety, could be divided into three major components, and the musical language you choose to adopt ultimately dictates your audience. If you've been an active musician in Seattle's hip-hop scene, you can hear why right away.
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